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Complete Audio Post production |
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With over 20 feature films totally post-produced in-house, YELLOW CAB's strength lies in our complete audio post solutions. We take care of everything, from dialogue editing, foley recording, through to the final mix. And you only need to talk to one person in charge. This does not mean that you dont control what is happening. The people working for you are known, experienced, open to new ideas, and equally competent in sound editing, recording, and mixing. |
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With over 17 years of experience in film sound, Eric Lesachet, Vincent Mauduit and Steven Ghouti are capable of creating the best possible mix for your film. We can adapt to all film styles, from small dialogue driven films to action blockbusters.
Our Dolby * and DTS ** approved Studio A is also available for dry hire. The Euphonix Systm5 mixing desk within is now a standard for feature film mixing around the world. The totally modular System 5 allows us to add extra fader banks or DSP cards (for a higher track count) to tailor the desk to the current projects' needs.
As a mixing desk on it's own does not have much use, our studio comes with all the necessary gear: a Pro Tools HD3 rig, two TC Electronic System6000 reverbs, as well as a 128 output Nuendo rig. Other Pro Tools or Pyramix rigs may be added on demand.
For more immersion, Studio A has a high power HD and 2k videoprojection system. A 35mm Kinoton film projector is also available.
(* Dolby SR, Dolby Digital, Dolby Digital EX) ( ** DTS SR, DTS Digital, DTS Digital ES)
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ADR - Post synchronisation |
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Studio A can be used for ADR or dubbing sessions. We use a system called Synchronos to display the actors' text on screen. We record with very neutral acoustics, to guarantee the best match possible with the pre-existing location sound.
We use Source Connect for long-distance ADR sessions with great success, allowing the director and editorial crew in a distant studio to monitor the talent's performance in real time. Our flexible schedule allows the sessions to happen regardless of time differences.
We use EdNet or Digifon bridges to connect to ISDN-only facilities. Extra charges apply when either ISDN bridge system is required.
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Sound editing & Sound Design |
From location sound reconforming, to creating the sound of a Formula 1 car rushing through the streets of Paris, we know how to handle all aspects of Sound Design.
We have three sound editing rooms, two of which are 5.1 enabled. We have complete mastery over most reconforming and file transfer tools.
Dialogue editing is a key component of audio post production, and we take great care in getting things right. We often delve deep into production sound files to find a syllable or take that will save a line.
We believe that sound design should never rest on fixed elements. As such we will go into the field with portable recorders as often as necessary to record new sounds to add to our 120 000-sound-and-growing networked sound library.
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